I have to admit, animated movies have never been for me. Even as a child, I can’t recall being particularly fond of them or them being much of my childhood. Recently, I’ve been watching more animated movies and have found a new appreciation for them as an adult. Disney’s Zootropolis (Zootopia in the US) was released this year to rave reviews, so I decided to give it a watch.

This movie really surprised me. I think children can definitely enjoy the cutesy animals and bright, fun animation involved in this film, but the overwhelming themes of racism, diversity and equality really stood out and will not go unnoticed by adults. The film tells the story of Judy Hopps, who wants to be the first bunny police officer in Zootropolis. This career path, she is told by her parents and school children, is not a career path for a bunny. Despite their warnings, Judy follows her dreams anyway and excels. Not only is this a great message for kids, this message can apply to us all in our lives. The film portrays racism and inequality through the fox Nick Wild, who, along with other predators, are stereotyped as dangerous and untrustworthy. Judy’s open-minded, inclusive nature leads to a budding friendship between the two, and what you ultimately are left with is a buddy cop movie for children.

Zootropolis is smart. It knows how to drop these subtleties that can apply to our human lives without trying to bash you over the head with messages. But it’s a film that children and adults alike should watch, especially in our culture nowadays where these themes are so important. The voice work, which I think is often overlooked in animation, should be recognised here, particularly from the films leads Ginnifer Goodwin and Jason Bateman. Voice work in general is never quite given the praise it deserves, in fact I think it should be given its own category at awards ceremonies, as there are so many outstanding actors working in this field who are unappreciated.

This movie is enjoyable, intelligent and beautifully animated and deserves all the recognition come awards season.





Ben Affleck’s directorial debut tackles the tough issue of child abduction in Boston and asks the question: what is home?

Gone Baby Gone stars Casey Affleck and Michelle Monaghan as private investigators, hired by a distraught couple to look for their young niece, who has seemingly been taken. The police chief, played by Morgan Freeman, rejects the interference of the investigators – he too lost a child and feels passionately about the work police do in solving these cases. Affleck never attempts to sugar-coat this scenario, he has written a screenplay which reflects the gritty underworld of Boston, shows the terror in drug abuse, and presents the depraved side of society – paedophiles, corrupt police and one couple trying to work their way through it all.

Without giving away spoilers, this film never takes the direction you expect it to. I found myself being constantly surprised by the decisions characters made, and it left plenty of questions regarding what morality means to different people. Gone Baby Gone had me thinking after the film had finished about whether we as human beings are products of our surroundings, and if we had the opportunity to grow up somewhere else, would we be different? The film is purely worth seeing on this basis to reflect on. But Affleck’s great, subtle direction, the entire cast’s performances (including some Boston residents Affleck hired to have parts) and an authentic snapshot of humanity in the most vicious of situations makes this a film worthy of reflection and study.



The DCEU’s movies thus far, (2013’s Man of Steel and this year’s Batman v Superman: Dawn of Justice) have been equally divisive among fans and critics. Both directed by Zack Snyder, who has his fair share of admirers and maligners, fans were expecting something completely fresh and new with the release of David Ayer’s (Training Day, Fury) much-anticipated Suicide Squad – a film that tells the story of a group of DC’s most-loved supervillains, brought together on a mission to save the world. Personally, Suicide Squad was one of my most anticipated movies of the year, I’ve loved every trailer that’s been released, and the marketing grabbed my attention far more than Man of Steel and Batman v Superman, though I enjoyed both of those movies (the BvS ultimate cut, that is). But the truth is, Suicide Squad, for me, was the worst of the DCEU movies so far. A movie with so much potential started pretty strongly, but ended up being a predictable, CGI fest with a lack of structure and character development that I found myself bored with after the assembling of the team.

One can’t help but feel that Warner Bros is desperate to catch up to the mega-machine that is Marvel Studios, but let’s not forget, Marvel’s first MCU movie, The Incredible Hulk¸ or Iron Man depending on how you look at it, were both released in 2008. The team-up movie The Avengers wasn’t released until 2012. Marvel gave themselves 4 years of universe building, establishing the key characters in their cinematic universe long before they all starred in one movie. Not only did this build anticipation, but it allowed audiences to understand the characters individually before they were in an ensemble piece, giving the film more emotional resonance and also meaning Joss Whedon didn’t need to spend half of his movie establishing characters. The DCEU has had one single-character movie, Man of Steel, which is the reason why BvS felt so packed and rushed with characters. The same goes for Suicide Squad. The only characters given any decent backstory in this film are Deadshot and Harley Quinn. Even these scenes are in awkwardly-placed flashback moments and don’t flow throughout the rest of the movie.

The first apparent issue I had with Suicide Squad was the music. Reports have suggested that Warner Bros executives, after seeing the negative response to the dour tone of BvS, asked David Ayer to add in ‘fun’ music to make the movie seem more upbeat. Although the film has a brilliant soundtrack, it is used in such a jarring way, that the movie feels more like a music video at times than a film. There are some scenes where the music is so over-powering that you can’t hear or understand what the characters are saying – it feels forced. The movie also has a major issue with structure – not only are flashbacks used excessively, but many scenes feel like they were cut or as if some scenes are missing, there is not a structure to the film, it is essentially a first and painfully dragged out third act. This made the film feel longer than what it was, and if there was more time spent on the back story of the characters (who were 100% the BEST thing about this movie) I think this would have made an overwhelming improvement to the way I came out feeling when Suicide Squad was finished.

As mentioned, there are some fantastic characters in this film that I hope to see more of in future. Highlights for myself were Will Smith as Deadshot, Margot Robbie as Harley Quinn, Jay Hernandez as El Diablo Jai Courtney as Captain Boomerang, and the AMAZING Viola Davis as Amanda Waller. The excellent make-up on Killer Croc is also worth praise. The way the Suicide Squad interacted with each other made for the best moments in the film, with a great blend of humour. By the end of the film, I believed in these characters and wanted to see more of them. I just wish they’d been in a better movie.

My biggest issue with the film overall is its villain, Enchantress, played by Cara Delevingne. This is truly one of the worst villians I have ever seen – the ending is reminiscent of last year’s disastrous Fantastic Four, in fact, I actually laughed in the cinema. Not only is Delevingne incessantly belly-dancing/moving like Gollum/hula-hooping, the ‘deep scary voice’ they put over the top of her sounded so ridiculous it was hard to believe this was a serious movie. The entire side-plot with her brother was not only stupid, but no one gave a shit about the character, so it had absolutely no meaning whatsoever when he ‘wreaks havoc’ on the city. The climax of this movie is so disappointing, that the more I thought about it when I got home, the more annoyed I was. I don’t want to hate Suicide Squad – it certainly has fun moments, it looks super cool in places, the performances (for the most part) are really, really good (not Jared Leto’s Joker, though. Ugh) but overall, this movie is a mess.

I’d give it 2/5.

The Screen Diary: First Post

Hi, and welcome to The Screen Diary – a place for me to post all my thoughts on film (and occasionally TV) – this could include reviews, my favourite films and directors, and general thoughts on the film industry.

I’m currently a Media, Film & Television student and aspiring to work as a film journalist, so this is essentially a great place for me to practice my writing and engage with the subject matter on a more analytical level outside of my degree!

Please feel free to make any suggestions/comments – I’m hoping to post on this weekly/ bi-weekly depending on time etc 🙂